Go Get 'Em! Comics

قانون حرية المعلومات

2011-11-07T08:42:00.000-08:00

iFREEt
Real Name: Unrevealed
Occupation: Hacker for Hire
Identity: Secret; assumed by authorities to be a collective rather than an individual operator.
Legal Status: Unknown (assumed Arabic), currently wanted by every security organization in the world.
Known Aliases: iFREEt is believed to be an operational alias for a collective of independent operators.
Place of Birth: Unknown; though Hacker my.TH is spreading rumors that he was born on the internet.
Known Relatives: None
Group Affiliations: Advertised as a lone operator; believed by national and international security agencies worldwide to be affiliated with their hostile counterparts.
Base of Operations: Worldwide Web; Hacker my.TH claims he can be found in the Dez.rt.
First Appearance: Unpublished as of yet
History: The hacker (or hackers) known as iFREEt began operating only recently. It is difficult to asses the exact actions of this operator due to the prevalent rumors being reported via worldwide internet sources. There are numerous claims of breaking informational databases and re-calibrating operating systems to give workers access to restricted information. It has also been rumored that iFREEt is responsible for the recent debt erasure virus which caused 33% of worldwide debt collecting databases to crash and erase all their data. He/She/They gained worldwide notoriety and infamy for disintegrating every firewall on every computer worldwide at once for 10 minutes. This is the only action iFREEt has taken credit for to date. He/She/They acknowledged involvement by spamming advertisements for "information retrieval" services to every computer that utilized the firewall break during that ten minutes. It is assumed (at least publicly) by various national security agencies that this is the work of a collective of hackers and they are currently investigating in their respective countries the existence of operators linked with iFREEt. The hacking 'community' interprets iFREEt differently. It is assumed that iFREEt is an independent operator with some major juice contacts or an insider with new tech. Rumors and blatant advertising by iFREEt himself claim; "There once was a thief whose work seemed quite funny, but the law thought it had to be all about money. They took both his hands in their ownership debate consigning him early to a dark and dreary fate. But our thief persevered and continued to steal and one day found out a very great deal. He took what he could and padlocked what remained, which is why they all want him shackled and chained! Our thief is now loose and running amok, and you thought him all such a dismissible f-! Information is freedom! Free the information!"

A Brief History of Time...

2011-08-22T13:09:00.000-07:00

Go Get 'Em Multiverse!

Welcome to the worlds of possibilities!

Go Get 'Em Multiiverse is a catalog of imaginary places and times. What continuity exists is always subject to change at the whim of THE CELESTIAL SCRIBE, an all powerful being whose existence is often debated but as of yet not refuted. GODs do exist in the Go Get 'Em Multiverse, and at times they have chosen to meddle in the affairs of mortals but now only do so occasionally, due to an injunction filed against them by STEVEN DRAKE, SUPER LAWYER in the controversial 1974 federal case dog v. GOD. Any GODs found breaking this injunction are sentenced to walk the earth as a mortal for 1100 years and must find employment in the civil service industry. Along with GODs, Go Get 'Em Universe is home to numerous SUPERNATURAL forces which currently refrain from direct activity on the mortal plane of existence because a "family" reunion taking place across several dimensional realities and has been prophesied to last until 'the Bizsha-menzes exhausts itself in inutterable orgasm with the Heglefftin-dra'. This prophesy was taken down in 1993 by MR. MAGIC who shortly thereafter went stark raving mad and is currently under observation at S.P.A. 22.

Through the aeons there have been a multitude of important and thought dominating planetary systems. Go Get 'Em Multiverse focuses on Earth and the Milky Way Galaxy. This does not mean there is only one Earth and Milky Way Galaxy, nor that other planets and galaxies do not interact, exactly the opposite is true. There have been innumerable encounters with parallel worlds/dimensions/realities and alien beings from those worlds/dimensions/realities. Who can forget the First Contact Wars of 1962-1977/1988-1993/2001-?? Due to being currently engaged in fighting the THIRD FIRST CONTACT WAR Earth has restricted certain involvements with Alien worlds it is in contact with and is currently subverting the "rights" of Aliens living on Earth. Earth is divided politically on the subject of the THIRD FIRST CONTACT WAR, with the Western Hemisphere actively battling and the Eastern Hemisphere still negotiating its tactics. Pockets of resistance to both sides pepper the globe. THE EARTH POWERS BRIGADE and EARTH'S LEAGUE OF SUPER DEFENDERS maintain security for the Milky Way Galaxy under the recently instituted HOMEGALAXY SECURITY LAW and THE TERRA FIRMA UNION ACT.

Politically it is a dark time. The UNITED STATES CONSTITUTION V.2.5 enacted by THOMAS JEFFERSON, THE DARING PRESIDENT in 1976 is on the verge of being suspended. The SUPER POWERED REGISTRATION ACT has received increased funding and legal enforcement powers due to these changes in the current Planetary Constitutions. From this two new organizations were created; the BIOCENOTIC ADMINISTRATION DEPARTMENT and the Office of REGISTRATION ENFORCEMENT/ DETAINMENT These agencies have become responsible for 'policing' the Earth and at times have exceeded the authorities given to them. All previously independent super-powered operators now must be registered or are subject to indefinite detainment. Any person displaying super-powers is to be reported to a R.E.D. CELL AGENT. All experiments resulting in super-powers must be sanctioned by the BIOCENOTIC ADMINISTRATION DEPARTMENT. Any defying of these "laws" is subject to investigation and detainment. These are but a few of the current legislations in effect. Most of the Eastern Hemisphere and pockets of the Western Hemisphere suffer from this increased governing and have become destabilized. Political relations between the independent nations of Earth have also become strained. But that's 2012 for ya! Let's take a look at some other timescapes of the Go Get 'Em Multiverse.

The Wonder Years: 200,000 B.C.E.-1900 C.E. (abridged)

This era is shrouded in mystery and speculation, currently under investigation by THE M.Y.S.T.E.R.I.U.M LEAGUE and other expert scholars. That which you may already know about this period is in the process of being dis-proven. Check with your local M.Y.S.T.E.R.I.U.M. branch office for more information.

The Birth of Bold!: 1900 C.E.-1930 C.E.

Here's where it all gets 'real'! Those imaginary tales you may have read about, now aren't so imaginary. They're really are ants on the moon! Mars did in fact invade England! and America did once stand for truth and justice! Noteworthy heroes of this time period: AGENT UNKNOWN, DR. LUCIAN VANDERVILLE-GHOST HUNTER, HUGH MANNING-THE EIGHTH WONDER

The Halcyon Daze: 1938 C.E.-1950 C.E.

Heroes/Villains of Note: THOMAS JEFFERSON-THE DARING DETECTIVE, DOC TERROR, MAJOR DANGER, GHOST GIRL, JOE MONDAY, KID HALCYON, THE GREEN FLAME

The Modern Era: 1950 C.E-2010 C.E.

Under construction

N.O.W.! 2011 C.E.-2012 C.E.

Under construction

For starters...

2011-08-09T10:02:00.000-07:00

It's like comparing Big Macs to Whoppers! It's all processed carcass!

Cynic's Corner...

2011-08-07T09:00:00.000-07:00

The Daze Roll Ever On...

2011-08-05T18:34:00.001-07:00

#8

2011-05-05T07:49:00.001-07:00

Go Get 'em Comics Strip #7

2011-04-26T06:26:00.000-07:00

New One! #6

2011-04-20T09:20:00.000-07:00

What we have to offer...

2011-04-13T07:39:00.000-07:00

More strips!

2011-04-10T17:44:00.001-07:00

2011-04-08T08:35:00.001-07:00

Go Get 'em Comics Strip!

2011-04-06T08:46:00.000-07:00

Zapman is Here!

2011-02-23T09:22:00.000-08:00

2010-07-10T15:46:00.000-07:00

2010-07-05T11:20:00.000-07:00

2010-06-16T07:46:00.005-07:00

2010-06-14T11:51:00.000-07:00

2010-06-07T10:59:00.001-07:00

2010-06-06T14:01:00.000-07:00

Zerospace (episode XXV)

2010-05-30T13:27:00.000-07:00

AMERICAN JUSTICE 445 JUNE 2010

2010-05-26T08:18:00.001-07:00

AMERICAN JUSTICE 445

"FLASHPOINT" PART ONE.

PG 1.

[1]

LONG SHOT; SEATTLE STREET. DAY. FROM A PEDESTRIAN'S POV. THE SIDEWALKS ARE BUSY BUT NOT PACKED. A RECORD STORE FRONT, "WARPED VYNIL", IS ON THE RIGHT CLOSE. SPACE NEEDLE CAN BE SEEN IN THE DISTANT BACKGROUND.

CAP: SEATTLE, WA. 11:14 A.M.

[2].

LONG SHOT; WALKER'S POV. INSIDE "WARPED VYNIL". ROWS OF RECORDS AND WALLS FULL OF BOOKS,A SMALL REGISTER COUNTER IS ON THE RIGHT. REGISTER IS RUN BY A "HIPSTER" LOOKING DUDE, EARLY TWENTIES, DARK CLOTHES. THREE TO FOUR OTHER CUSTOMERS MILL ABOUT.

CAP: THIS IS HOW IT ALWAYS STARTS.

[3].

MEDIUM SHOT; REGISTER JOCKEY; SORTING STACKS OF VYNIL RECORDS, NOT LOOKING UP AT US. COUNTER AREA IS COVERED IN STICKERS AND OTHER "GRAFFITI".

CAP: A QUIET LULL DURING THE DAY.

[4].

MEDIUM SHOT; OF THE REGISTER JOCKEY LOOKING UP AT US, AFFECTING A FACE OF ANNOYED BOREDOM.

RJ: WHAT?

CAP: THEN...

PG 2.

[1].

SPLASH PAGE! BOOM! WE ARE OUTSIDE ON CORNER ACROSS FROM "WARPED VYNIL" WHICH IS EXPLODING OUTWARD ONTO THE STREET. THE DOZEN OR SO PEOPLE ON THE STREET ARE DUCKING AND RUNNING FOR COVER. ONE IS CAUGHT IN THE BLAST AND INCINERATED. A DOG ON A BURNING LEASH RUNS IN CENTER OF PAGE AWAY FROM THE BLAST. FIERY DEBRIS RAIN FROM THE SKY.

TITLES: "FLASHPOINT"

PG 3.

[1].

MEDIUM SHOT; ON THE FIERY BLAZE OF THE STORE AND STREET CORNER. SMALL BITS OF FLAME RAIN TO THE GROUND.

CAP: 11:20 A.M.

[2].

MEDIUM SHOT; 10' FROM US A SHADOWY FIGURE CAN BE SEEN EMERGING DIRECTLY FROM THE FLAMES. THE SEX OF THE FIGURE IS INDETERMINATE.

CAP: AND THAT'S WHEN YOU SAW...WHAT WAS IT EXACTLY?

[3].

MEDIUM SHOT; THE SHADOWY FIGURE LURCHES FROM THE FLAME REVEALING A COMPLETELY NUDE YOUNG WOMAN, EARLY TWENTIES, SLIGHTLY PUDGY. HER SKIN IS UNMARRED BY THE FLAMES. SMOKE TASTEFULLY MAINTAINS HER PRIVACY.

CAP: IT..IT LOOKED LIKE A YOUNG GIRL. BUT SHE WASN'T WEARING ANY CLOTHES.

[4].

MEDIUM SHOT; OF THE GIRL RUNNING AWAY FROM US, DOWN THE STREET. SHE'S A GOOD TWENTY TO THIRTY FEET AWAY. THE BUILDING CORNERS OFF ON THE LEFT. SOME TREES ARE AFLAME ON THE RIGHT. EVERYTHING IS IN SILHOUETTE.

CAP A: WHAT DID YOU NEXT OBSERVE?

CAP B: NOTHING I TOLD YOU. I WAS TO BUSY TRYING TO PUT OUT MY WIFE.

[5].

SAME BASIC POSITION AND DISTANCE AS PREVIOUS PANEL. GIRL IS NOW PASSING OUT OF SIGHT BEHIND THE BUILDING'S CORNER. FLAMING LEAVES FALL IN THE BACKGROUND FROM THE TREES. THE DOG ON THE FLAMING LEASH RUNS AWAY IN THE DISTANCE, FORTY FEET AWAY.

CAP A: AND NO ONE SAW ANYTHING ELSE?

CAP B: NOPE. EVERYBODY WAS TOO BUSY NOT PAYING ATTENTION TO THE SUSPECT.

PG 4.

[1].

MEDIUM SHOT; OF AGENT 55 AND AGENT 19 STANDING IN THE MIDDLE OF THE BRUNT AND BLASTED HUSK OF "WARPED VYNIL". AGENT 55 IS STANDING WITH HIS HANDS ON HIS HIPS. HIS RED GLOBE OF A HEAD COCKED IN A SURVEYING GESTURE. AGENT 19 IS TAPPING ON HIS "CHARGE CARD". THREE OR FOUR FIRE MEN IN THE BACKGROUND ARE HAULING BLACKENED DEBRIS OFF PANEL.

CAP A: 11:55 P.M.

CAP B: AGENT 55 AND 19 ON SCENE.

55: THAT'S NOT MUCH OF A SURPRISE. IF I WERE JOHN Q I PROBABLY WOULD'VE BEEN RUNNING FOR COVER INSTEAD OF STICKING AROUND TO BECOME A FRIED KRISPIE.

[2].

MEDIUM SHOT OF AGENT 55, HANDS STILL ON HIPS, KICKING AT SOME BLACKENED WOOD. THE WOOD DISINTEGRATES EASILY AT HIS GENTLE KICK. EVERYTHING ELSE IN THE BACKGROUND IS BURNT AND BLACKENED. TWO EMT'S CARRY A SHROUDED BODY ON A STRETCHER OFF PANEL.

55: I MEAN LOOK AT THIS. WE'VE GOT A TEN HERE FOR SURE. THIS KIND OF HEAT, THE DIRT'S ALMOST GLASS.

[3].

LONG SHOT; AGENT 55 AND 19 STAND CENTER PANEL. 55 IS LOOKING AROUND, RIGHT HAND ON HIP. 19 IS SHOVING HIS CARD BACK INTO HIS FRONT COAT POCKET. FIREMEN AND EMT'S ARE WORKING IN THE BACKGROUND, CLEARING DEBRIS AND CARRYING SHROUDED STRETCHER TO AMBULANCE ON THE FAR LEFT. WE SEE THE IMMENSITY OF THE BLAST DAMAGE. THE BUILDING IS PRACTICALLY TOPPLED, A PILE OF BLACKENED RUBBLE. IN THE DISTANCE CHARRED BRANCHES OF TREES STICK UP FROM BEHIND THE HALF STANDING BUILDING WALL.

19: WERE GONNA NEED A "SNIFFER".

55: YEAH I SUPPOSE SO.

[4].

CLOSE SHOT; ON AGENT 55. MID CHEST UP. HIS BIG RED GLOBE OF A HEAD IS REFLECTING BITS OF THE SCENE AROUND WHICH HE STANDS. SWIRLS OF LIT UP CIRCUITRY CRISS-CROSS THE GLOBE.

55: OPEN X-RAY NINER.

GLOBE: CONFIRMED.

55: THIS IS AGENT 55. REQUEST DELTA TEN PROTOCOL AT CURRENT LOCATION.

GLOBE: TRANSMITTING. ARRIVAL IN 5..4..3...

[5].

MEDIUM SHOT; 55 AND 19 STAND TO LEFT OF PANEL. IN THE CENTER AND RIGHT A WARP HOLE IS FORMING, ALL SCINTILLATING LIGHT AND COSMICY STARSHINE.

GLOBE: 2..1.

PG 5.

[1].

MEDIUM SHOT; MATERIALIZING NEXT TO THE AGENTS IS A FLOATING TECHNO-BUBBLE "SNIFFER". VERY KIRBYESQUE, ALL IMPOSSIBLE TUBINGS AND PROTRUDING CIRCUITRY. THE "SNIFFER" FLOATS AT CHEST HEIGHT TO THE AGENTS.

SNIFFER: INITIALIZING. REROUTING THOUGHT CONTROL. CONFIRM.

[2].

MEDIUM SHOT; ON AGENT 55 CLOSE TO THE SNIFFER, WHICH IS NOW FLOATING HEAD HEIGHT NEXT TO 55.

AGENT 55: X-RAY OMNICRON OVERWATCH

SNIFFER: RECOGNITION. DOWNLOAD CONFIRMED. GREETINGS AGENT 55.

[3].

MEDIUM SHOT; 55 TURNING AWAY FROM THE SNIFFER TO TALK TO 19. 19 IS ONCE AGAIN TAPPING AT HIS CHARGE CARD. THE SNIFFER IS LOW TO THE GROUND, ONE OF IT'S PROTRUSIONS HAS BECOME AN ARC-LAMP THAT SCANS THE GROUND NEAR WHERE THE AGENTS ARE WITH A LUMINESCENT RAY.

55: IT'LL TAKE ABOUT AN HOUR OR SO TO DO A FULL SWEEP. WE SHOULD GO TALK TO THOSE WITNESSES AGAIN. AND THIS TIME TRY TO BE LESS CONDESCENDING.

[4].

MEDIUM SHOT; 55 EXITS LEFT, BACK HALF STILL VISIBLE. 19 FOLLOWS, SHRUGGING SHOULDERS. THE SNIFFER IS CLOSER TO THE GROUND, SCANNING NOW WITH NUMEROUS PROTRUDING DEVICES, SOME OF WHICH GIVE OFF LUMINESCENT RAYS.

19: WHAT CONDESCENDING? I DON'T CONDESCEND. PEOPLE JUST DON'T PAY ATTENTION, HOW IS THAT MY FAULT?

[5].

LONG SHOT; AGENTS 55 AND 19 WALK AWAY FROM US, CENTER OF PANEL, TOWARD THE CROWD OF CIVILIANS GATHERED AT THE AMBULANCES AND FIRE-TRUCKS IN THE BACKGROUND. THE PEOPLE ARE RECEIVING VARIOUS TYPES OF HELP FROM THE EMT'S AND FIREMEN. SOME ARE WRAPPED IN BLANKETS AND BEING ADMINISTERED OXYGEN, OTHERS ARE HAVING HEAD-WRAPS OR OTHER BANDAGES APPLIED TO MINOR INJURIES. ONE OR TWO ARE BEING LOADED INTO AN AMBULANCE VIA A STRETCHER. FIREMEN WORK IN THE FOREGROUND CLEARING DEBRIS ON RIGHT.

55: YOU DEFINITELY CONDESCEND.

19: WHY IS IT WRONG TO EXPECT PEOPLE TO PAY MORE ATTENTION? I MEAN YOU'D THINK THAT THEY'D CARE MORE ABOUT THE WHEREABOUTS OF A WALKING BOMB, OR EVEN A NAKED GIRL RUNNING THROUGH THE STREETS FOR THAT MATTER?

55: NORMAL PEOPLE DON'T THINK THAT WAY. THAT'S WHY WE HAVE THIS JOB.

PG 6.

[1].

LONG SHOT; SAME COMPOSITION AS PREVIOUS PANEL, NOW THOUGH 55 AND 19 ARE WALKING TOWARD US, THE EMERGENCY VEHICLES HAVE BEEN REPLACED BY BULL DOZERS AND CONSTRUCTION VEHICLES. MEN IN HARD HATS CLEAR DEBRIS. 55 IS CARRYING A CUP OF COFFEE, 19 TAPS AWAY ON HIS "CHARGE CARD".

CAP: 55 MINUTES LATER.

19: YOU SEE? WHAT DID WE LEARN THERE? WE LEARNED THAT I'M RIGHT AND THAT THE AVERAGE CITIZEN PAYS MORE ATTENTION TO THERE SILLY CELL PHONES THAN TO THINGS LIKE EXPLODING BUILDINGS AND POSSIBLE SUPER-HUMAN TERRORISTS.

55: YOU'RE ONE TO TALK. AND THAT WASN'T ABOUT FINDING ANYTHING OUT, IT WAS ABOUT SHOWING THEM THAT THE TRILLIONS OF DOLLARS OUR GOVERNMENT IS SPENDING TO PROTECT THEM ISN'T GOING TO WASTE.

[2].

MEDIUM; THE SNIFFER HOVERS RIGHT BOTTOM PANEL, SEEMINGLY INACTIVE. AGENT 55 STANDS LEFT, HOLDING HIS CUP. 19 BEHIND HIM, PUTTING HIS CHARGE CARD INTO THE INSIDE POCKET OF HIS JACKET.

19: THE HOUR WE SPENT DOING P.R. BALONEY WASN'T A WASTE? WE'VE GOT A BOMB THAT WALKS AROUND 55, OR HADN'T YOU NOTICED?

55: YOU KNOW I'M BEGINNING TO FORGET WHY I LIKED WORKING WITH YOU.

[3].

MEDIUM; 55 STANDING OVER SNIFFER, ONE HAND ON HIP THE OTHER HOLDING HIS CUP. SNIFFER IS ACTIVATING, LIGHTS, SERVO ARMS, ETC. 19 IN BACKGROUND LOOKING ON.

19: MY GOOD LOOKS AND WINNING PERSONALITY, OBVIOUSLY.

55: UH-HUH. DELTA IGLOO.

55'S GLOBULE: CONFIRMED. DOWNLOAD RETRIEVAL PROCESSING. INFORMATION STORED. COMMAND:?

55: PRIORITY ONE ONE NINE. EXECUTE.

[4].

MEDIUM; SNIFFER HOVERS OFF, 3 FEET OFF THE GROUND AWAY FROM US. REAR VIEW OF 55 IN FOREGROUND, WATCHING SNIFFER DRIFT OFF.

SNIFFER: CONFIRMED.

55: NOW THE FUN STARTS.

[5].

MEDIUM; 55 HEADING TO THE RIGHT TOSSING CUP INTO A BIG WASTE BARREL. 19 FYING UP TO THE LEFT TOP OF PANEL, WE CAN ONLY SEE HIM FROM THE WAIST DOWN.

55: YOU'RE ON EAGLEWATCH 19. I'LL PURSUE.

19: YEAH SURE, YOU GET TO DO ALL THE FUN STUFF.

55: JUST STAY ALERT 19.

PG 7

[1].

MEDIUM; INSIDE A SMALL HOVEL, CONSTRUCTED OF VARIOUS BITS OF WOOD, CONCRETE BLOCKS AND SOGGY CARDBOARD ALL ATTACHED TO A FOUR MAN TENT. EVERYTHING LOOKS SCAVENGED. AGNES, OUR PUDGY TERRORIST, IS CLOTHED AND BUSY STUFFING CLOTHES INTO A DILAPIDATED DUFFLE BAG.

CAP: 1:10 P.M. UNDER THE 9TH STREET BRIDGE.

[2].

MEDIUM; ANGES IS IN THE FOREGROUND, WE SEE HER FROM SHOULDERS UP, SHE LOOKS HURRIED AND A LITTLE FRIGHTENED. IN THE BACKGROUND TIMOTHY, A YOUNG BOY; ABOUT 14, WEARING MANY LAYERS OF CLOTHES IN VARIOUS STATES OF FALLING APART, IS ENTERING THE TENT PUSHING ASIDE THE ENTRANCE FLAP. IT IS DARKER INSIDE THE TENT SO TIMOTHY IS MOSTLY SILHOUETTED.

TIMOTHY: HEY WHAT ARE YOU DOIN'?

[3].

CLOSE; AGNES TURNING AROUND TO FACE US, SHE LOOKS ANNOYED.

AGNES: HAVE YOU SEEN MY NOTEBOOK? I REALLY NEED TO FIND MY NOTEBOOK. YOU HAVEN'T SEEN IT HAVE YOU? I CAN'T FIND ANYTHING IN HERE. HOW DO YOU KEEP TRACK OF ANYTHING TIMOTHY?

[4].

MEDIUM; AGNES, ON HER KNEES HOLDING TIMOTHY BY THE ARMS, GENTLY. TIMOTHY, LOKING DOWN AT HIS FEET, A WEATHER BEATEN BASEBALL CAP IN HIS HANDS, HE LOOKS SAD AND EMBARRASSED.

TIMOTHY: I'M SORRY AGNES. I...I...

AGNES: OH TIMOTHY, I'M SORRY. I DIDN'T MEAN TO BE SUCH A JERK. IT'S NOT YOUR FAULT, I JUST CAN'T FIND MY NOTEBOOK AND IT'S REALLY IMPORTANT TO ME.

[5].

CLOSE; TIMOTHY, LOOKING UP AT AGNES, WHO IS OUT OF PANEL, SMILE BEAMING THROUGH DIRTY FACE.

TIMOTHY; I PUT YOUR BOOK IN THE FRONT POCKET OF YOUR JACKET. IT WAS LAYING AROUND AND I THOUGHT THAT MIGHT BE A BETTER PLACE FOR IT. I'M SORRY IF I MESSED UP. ARE YOU...ARE YOU GOING?

[6].

MEDIUM; AGNES IS STANDING, HUNCHED. HANDS SHOVED INTO THE FRONT POCKETS OF HER PUFFY OVERCOAT, SEARCHING. TIMOTHY LOOKS ON.

AGNES: YES TIMOTHY, I'VE GOT TO GO. I'VE DONE SOMETHING THAT COULD GET ME INTO A LOT OF TROUBLE AND I DON'T WANT ANY OF THAT TO...TO GET YOU INTO TROUBLE TOO.

TIMOTHY: I DON'T CARE. THE COPS CAN'T CATCH ME. LET ME COME WITH YOU?

[7].

MEDIUM; AGNES LOOKING AT TIMOTHY, SHE IS OPEING THE TENT FLAP AND LOOKING OVER HER SHOULDER.

AGNES: I CAN'T DO THAT TIMOTHY. THIS IS BIGGER THAN...IT'S JUST TOO DANGEROUS. I KNOW YOU'RE TOUGH BUT THIS IS JUST...LOOK I'LL..I'LL TRY AND STAY IN TOUCH IF I CAN. JUST KEEP YOUR HEAD DOWN AND STAY AWAY FROM OFFICER PATRICK. GOOD LUCK TIMOTHY.

[8].

MEDIUM; WE ARE LOOKING OVER TIMOTHY'S SHOULDER, THROUGH THE OPEN TENT FLAP AS HE WATCHES AGNES RUN OFF CARRYING A STUFFED DUFFLE BAG OVER HER SHOULDER. SHE IS HEADING TOWARD A BUS STOPPED AT THE CORNER, ACROSS THE PARK.

TIMOTHY: GOOD LUCK.

PG 8

[1].

CLOSE; AGNES FROM THE WAIST UP, RUNNING THROUGH PARK WITH DUFFLE BAG OVER SHOULDER. SOME PEDESTRIANS WALK BY LOOKING AT HER ANNOYINGLY.

CAP (HANDWRITTEN): NOVEMBER 5. TODAY'S THE DAY. EVERYTHING WILL BE DIFFERENT AFTER THIS. CAN'T STAY HERE ANY LONGER. DON'T KNOW WHERE TO GO BUT I HAVE TO DO THIS.

[2].

MEDIUM; AGNES GETTING ON A CITY BUS.

CAP (HANDWRITTEN): I WONDER IF I'LL BE ABLE TO GO THROUGH WITH IT? ONCE I'M THERE I'LL PROBABLY CHIKEN OUT. BUT I HAVE TO DO IT. I HAVE TO DO SOMETHING.

[3].

MEDIUM; BUS LEAVES, HEADING INTO BUSY CITY TRAFFIC, SKYSCRAPERS IN THE DISTANCE.

CAP (HANDWRITTEN): THINGS JUST CAN'T GO ON LIKE THIS. THEY CAN'T KEEP TELLING US WHAT TO DO.

[4].

LONG; BUS DISAPPEARING INTO TRAFFIC. A SILHOUETTED FIGURE STANDS NEXT TO A TREE AT THE EDGE OF THE PARK AND CITY STREET, THE FIGURE WEARS A SLOUCHY WARF-HAT AND A LONG TRENCH-COAT. PEDESTRIANS WALK BY UNAWARE.

CAP (HANDWRITTEN): THIS WILL BE A DECISIVE ACTION AGAINST TYRANNY. THIS WILL BE MEANINGFUL. AND I DON'T NEED ANYBODY'S HELP TO DO IT EITHER.

[5].

LONG; SAME AS PREVIOUS, SILHOUETTED FIGURE HAS A SMALL DEVICE IN ITS HANDS AND IS PRESSING A BUTON ON THE DEVICE. PEDESTRIANS STILL WALK BY IN THE BACKGROUND NOT NOTICING.

CAP (HANDWRITTEN): BESIDES THOSE BOURGEOIS JERKS DESERVE IT. I JUST HOPE IT WORKS.

[6].

SAME AS PREVIOUS; THE DEVICE SPARKS WITH SCINTILLATING LIGHT.

CAP (HANDWRITTEN): IT SHOULD BE A BLAST!

PG 9

[1].

LONG; A MILE UP LOOKING DOWN ON THE CITY OF SEATTLE. RED CELL AGENT 19 IS FLYING JUST BELOW US.

19: THAT THING FIND OUR PERP YET OR ARE YOU TWO BUSY SHOWING OFF TO SCHOOLCHILDREN? HELLO? ANYBODY DOWN THERE?

[2].

LONG; AT ABOUT 800', 19 STILL JUST BELOW US. CLOSER DETAILS OF THE CITY CAN BE SEEN, TRAFFIC, BUILDINGS ETC.

19: HEY WHAT THE...?

19'S GLOBULE: WILL YOU SHUT UP. SOMETHING WEIRD JUST HAPPENED.

[3].

LONG; NOW AT 70' COMING IN TOWARDS A CITY STREET TWO BLOCKS FROM THE PARK ON THE LEFT. PEDESTRIANS LOOK UP. ON THE RIGHT AGENT 55 STANDS OVER SNIFFER, WHICH APPEARS TO BE MALFUNCTIONING.

19'S GLOBULE: YOU BETTER GET DOWN HERE.

19: ALREADY ON IT BOSS MAN.

[4].

MEDIUM; ON CITY STREET. PEDESTRIAN MOVE OUT OF AGENTS WAY, LOOKING ALARMED. 55 AND 19 STAND OVER A JITTERING SNIFFER. THE SNIFFER IS CLOSE TO THE GROUND AND MOST OF IT'S CIRCUITRY HAS GONE DARK.

19: WHAT'S WRONG WITH THAT THING?

55: I DON'T KNOW. IT JUST STARTED FREAKING OUT. DAMN! IT'S GOING INTO SHUT DOWN. WE'LL LOSE OUR TRAIL. PRIORITY OMNICRON TANGO.

55'S GLOBULE: CONFIRMED. EXECUTING. DATA CORRUPTION. WARNING DATA CORRUPTION. UNABLE TO RETRIEVE COMPLETE FILES.

[5].

MEDIUM; 55 SPRINTING, 19 FLYING, OFF TO THE LEFT, PEDESTRIANS JUMP OUT OF THE WAY.

55: THE COORDINATES GIVE OUT ABOUT TWO BLOCKS FROM HERE. WE NEED TO CATCH THAT SIGNAL! EXCUSE US FOLKS.

19: OUTTA THE WAY PUKES!

[6].

LONG; 55 AND 19 SURVEY THE PARK. IT HAS ONE OR TWO PEDESTRIANS ON BENCHES BUT IS OTHERWISE EMPTY. THE TENT/SHACK CAN JUST BE SEEN UNDER THE BRIDGE IN THE BACKGROUND.

55: THAT'S IT UNDER THE BRIGDE!

PG 10

[1].

LONG; WE ARE INSIDE THE TENT AS IT IS EXPLODING AND COMING APART OUTWARDS. TIMOTHY IS SCRAMBLING AWAY TO THE LEFT OF THE PANEL, DEBRIS FLIES EVERYWHERE. AGENT 19 HOVERS ON THE RIGHT, ENERGY SPARKING OFF HIS GLOBULE, HIS ARMS ARE CROSSED AND HIS POSTURE IS AUTHORITATIVE.

CAP: 1:45 P.M.

19: ALERT! YOU ARE UNDER THE AUTHORITY OF THE FEDERAL REGISTRATION ENFORCEMENT DIVISION! YOU ARE IN VIOLATION OF STATUTE 1 OF THE REGISTRATION ACT AND THEREBY FORFEIT ALL RIGHTS AS A NON-COMBATANT. IF YOU ATTEMPT TO ESCAPE OR OTHERWISE RESIST YOU WILL BE REGARDED AS AN ENEMY COMBATANT! DO YOU UNDERSTAND?!

[2].

CLOSE; ON TIMOTHY'S FACE, A HAND THROWN UP DEFENSIVELY. HE LOOKS SCARED. HIS HAIR AND CLOTHING ARE BEING WHIPPED ABOUT IN A TREMENDOUS WIND FORCE. SOME SCRAPS OF PAPER AND OTHER SMALL DEBRIS FLY ABOUT AS WELL.

TIMOTHY: HEY MAN, I AIN'T DONE NOTHIN'! YOU GOT THE WRONG GUY!

[3].

MEDIUM; 19; GRABBING TIMOTHY BY THE SHIRT COLLAR, LEANING IN TO HIM, THE GLOBULE SPARKING ELECTRICITY, HIS FIST RAISED NEAR TIMOTHY'S CHIN. TIMOTHY LOOKS FRIGHTENED.

19: LOOK MAN! YOU JUST BLEW UP A CITY BLOCK AND KILLED ALOT OF INNOCENT PEOPLE! DON'T TELL ME YOU "AIN'T DONE NOTHIN'"!

TIMOTHY: IT..IT WASN'T ME!

[4].

MEDIUM; WE FACE 19, HIS BACK TO US. HE IS LIFTING TIMOTHY UP ABOVE HIS HEAD WITH ONE HAND, HIS OTHER COCKED BACK FOR A PUNCH. TIMOTHY STRUGGLES, GRABBING AT 19'S HAND DESPERATELY. THE RUINS OF THE TENT AND THE BRIDGE WALL CAN BE SEEN IN THE BACKGROUND.

19: YOU GOTTA A LOTTA NERVE KID! I'M GONNA...

TIMOTHY: IT WASN'T ME I SWEAR!

55 (OFF PANEL): HE'S RIGHT.

[5].

MEDIUM; AGENT 19, STILL HOLDING TIMOTHY UP BY THE SHIRT COLLAR, TURNS TO FACE AGENT 55, WHO IS APPROACHING. 55 LOOKING DOWN AS HE TAPS ON HIS 'CHARGE CARD'.

19: ARE YOU KIDDING ME?

55: NOPE. KID'S CLEAN. HE CAN'T BE OUR LEVEL TEN. HE SCANS NORMAL. SOME RESIDUAL RADS FORM EXPOSURE BUT...HE'S NOT OUR PERP. PUT HIM DOWN.

[6].

MEDIUM; AGENT 55; HANDS ON HIS HIPS, LOOKS AROUND THE CAMPSITE. HE'S INVESTIGATING A PILE OF BOOKS USING HIS FEET. 19, HAS LOWERED TIMOTHY TO THE GROUND, BUT STILL HOLDS HIM BY THE SHIRT COLLAR, JUST ENOUGH TO GENTLY CHOKE. TIMOTHY CLASPS HIS HANDS TO HIS THROAT, HIS FACE PINCHED IN STRAIN OF BREATH.

55: WE'LL HAVE TO BRING IN A CONTAINMENT SQUAD. SEAL OFF THIS WHOLE AREA. WE'LL GET LOCAL ENFORCEMENT TO PATROL AND HANDLE CROWD CONTROL.

19: THE MAYOR'S NOT GOING TO LIKE THAT. WHAT ABOUT THE KID?

[7].

MEDIUM; 19 THRUSTS TIMOTHY OUT IN FRONT OF HIM,STILL HOLDING ONTO HIS COLLAR. TIMOTHY, HANDS STILL AT HIS THROAT, FACE PINCHED. 55 LOOKS AT TIMOTHY.

55: I'LL CALL 24 AND 12. THEY CAN TAKE HIM BACK TO THE AORTA FOR SNIFFING. WOULD YOU NOT BE SO ROUGH WITH OUR SUSPECT THOUGH, WE DO HAVE PROTOCOLS TO MAINTAIN.

TIMOTHY: COUGH. HACK.

19: IF YOU SAY SO.

[8].

FULL; 55 STANDS SILOHUETTED UNDER THE BRIDGE. 19 AND TIMOTHY'S ARE SILOHUETTED TO ONE SIDE. BEYOND 55 WE CAN SEE THE CITY PARK AND BUS STATION. PEDESTRIANS MOVE ABOUT, SOME LOOKING IN OUR DIRECTION.

19: WHERE DO YOU THINK THE PERP IS?

55: I DON'T KNOW. BUT WHAT CONCERNS ME MORE IS WHAT HAPPENED TO OUR SNIFFER. IT LOOKS LIKE SOMEBODY HACKED IT, BUT THAT'S JUST NOT POSSIBLE.

[9].

FULL; 3/4 DOWN 20' UP FROM THE BRIDGE OVERPASS. THE CITY GOES ABOUT IT'S BUSINESS, PEDESTRIANS MUDDLE ABOUT. 55, 19 AND TIMOTHY ARE JUST OUTSIDE THE BRIDGE UNDERPASS. A CITY BUS PULLS AWAY ON THE FAR SIDE OF PANEL FROM THEM.

19: THAT CONCERNS YOU MORE THAN THE FACT THAT THERES SOME FLAME THROWING BOMB WALKING OUT HERE IN MIDDLE OF ALL THIS?

55: YES. YES IT DOES.

CAPTION: TO BE CONTINUED...

Now back to our irregularly scheduled broadcast...

2010-05-12T06:33:00.000-07:00

Old Ideas Made New Again! (or more crap from my sketchbook)

2010-05-08T06:54:00.000-07:00

Doc Terror and Kid Halcyon (in their outfits from 1967-1986) and presenting for the second time anywhere...The Teen Terrors!

(The K.O. Kid, Darling Dorothy, Octo-boy and the Teenage Werebear)

2010-05-02T13:55:00.001-07:00

2010-03-19T17:06:00.001-07:00

2010-03-16T10:01:00.001-07:00

2010-03-15T00:03:00.000-07:00

Ode to Mediocracy.

2010-03-13T08:10:00.001-08:00

Join the Agency!

2010-03-11T08:31:00.000-08:00

This passport and character standee are your tickets to a world of imagination. You supply the nation. We'll supply the images.

Don't Stop Till You Get Enough!

2010-02-22T09:50:00.000-08:00

Rock 'n Roll Zerospace!

2010-02-21T14:22:00.001-08:00

Zerospace continues...

2010-02-14T15:34:00.000-08:00

0 . (episodes IX & X)

2010-02-13T12:05:00.000-08:00

More Zerospace...

2010-02-11T08:27:00.000-08:00

For Those in the K.N.O.W.

2010-01-30T16:46:00.000-08:00

The New Old Adventures of...

2010-01-23T16:36:00.000-08:00

And so it begins again...

2010-01-22T14:35:00.001-08:00

For Your Information!

2010-01-15T08:10:00.000-08:00

2010-01-02T11:27:00.001-08:00

2009-12-15T18:38:00.001-08:00

2009-12-13T10:23:00.003-08:00

2009-12-08T09:26:00.001-08:00

2009-12-07T11:35:00.001-08:00

2009-12-05T08:56:00.001-08:00

2009-12-03T09:48:00.000-08:00

2009-12-01T10:53:00.001-08:00

2009-11-30T15:42:00.001-08:00

2009-11-29T14:55:00.001-08:00

Falling...

2009-11-23T07:14:00.001-08:00

NotFlatland.

2009-11-17T13:46:00.000-08:00

In the distance...

2009-11-11T07:59:00.000-08:00

Go Get 'Em!

2009-11-05T08:05:00.000-08:00

Gone but not...

2009-10-29T13:13:00.001-07:00

"Well, how do you do?"

2009-10-26T15:12:00.000-07:00

This is from the animation project that is currently in the woiks!

A New Particle Accelerator!

2009-10-25T13:26:00.000-07:00

The Mote in a GOD's Eye

2009-10-22T13:17:00.000-07:00

Memories of Youth

2009-10-16T13:34:00.000-07:00

2009-10-15T12:53:00.000-07:00

E-G-B-D-F

2009-10-12T15:34:00.000-07:00

Forcing Perspective

2009-10-08T08:31:00.000-07:00

It's good to relax...with Comics!

2009-09-29T07:49:00.000-07:00

A star to steer by...

2009-08-16T13:35:00.000-07:00

"The road may be frought with danger, but ever the light heart shall conquer all."

A view from Down Under

2009-08-03T09:54:00.001-07:00

Spin Window!

2009-07-17T11:19:00.000-07:00

Hop-A-Long Planet!

2009-06-25T21:26:00.000-07:00

Open Wide.

2009-05-30T11:29:00.000-07:00

Leap of...

2009-04-29T08:34:00.000-07:00

Sorry it takes so long for me.

Get Lost..on the Space Rail..again!

2009-04-06T10:52:00.000-07:00

Some times we get lazy around here. Sorry for the delay.
Yer' Editors

2009-03-11T15:47:00.000-07:00

Getting Lost on the...

2009-03-10T11:59:00.001-07:00

I hope you are all enjoying Winter's End.

Take a Trip on the...

2009-03-02T15:23:00.000-08:00

"Oh for a muse of fire..." I guess it's better than a muse ON fire, innit?

The Space Rail

2009-02-26T13:46:00.001-08:00

The Interview Part Three

2009-02-19T08:35:00.000-08:00

The Interview
pt. 3

PG. 1
[1].
MID SHOT; DOC TERROR, OLD AND SCARRED, ARMS DOWN, LOOKING AT VIEWER. BACKGROUND: BLACK

DOC TERROR: IT WAS JANUARY OF 1939 WHEN EVERYTHING CHANGED FOR ME. I'D BEEN CONTACTED BY SOME GERMANS WHO WERE INTERESTED IN SOME OF MY EXPERIMENTS AND WE AGREED TO MEET IN VIENNA. THE MEETING WAS BORINGLY POLITICAL AND IT TOOK NO EFFORT TO SWAY THEM INTO FUNDING ME. I TOOK UP RESIDENCE IN WALACHIA AND BEGAN MY RESEARCH INTO A FEILD OF STUDY I HAD NOT PREVIOUSLY PURSUED.

[2].
MID SHOT; DOC TERROR; SCRATCHING HIS CHIN, HANDS MANACLED BY 'BLACK LINE'(THICK AT WRISTS BUT THIN CORD DROPS DOWN BEYOND BOTTOM OF PANEL). BACKGROUND: BLACK

DOC TERROR: THE OCCULT STUDIES I HAD DONE WERE CENTERED MAINLY ON SYMBOLISM AND PSYCHOLOGICAL ORIGINS OF HUMAN NEUROSIS. I NEVER VENTURED BEYOND INTO THE MORE ESOTERIC STUDIES ON THE SUBJECT. "MAGIC" DIDN'T INTEREST ME. BUT MY EXPERIENCE OF LATE HAD JARRED ME IN SUCH A WAY AS TO MAKE ME SUSCEPTIBLE TO METAPHYSICAL BELIEFS. BEING KILLED TWICE HAS A WAY OF DOING THAT TO YOU.

[3].
MID SHOT; DOC TERROR; HEAD DOWN, SHADOWS CAST ACROSS HIS CHEST. BACKGROUND: BLACK

DOC TERROR: WITH THE GERMANS BACKING ME, I TRAVELED WITH ARMED ESCORT TO MANY LIBRARIES AND UNIVERSITIES IN TURKEY AND EYGPT. I ALSO VENTURED INTO DARKER PLACES, WHERE RUMOR AND LEGEND OFTEN MADE UNBELIEVABLE CLAIMS. BUT NOT IN EVERY CASE. THE BLACK SKULL I FOUND IN THE HILLS BEYOND CONSTANTIOPLE WAS VERY MUCH A THING THAT MODERN SCIENCE COULD NOT EXPLAIN.

[4].
WIDE SHOT; 3/4 DOWN, DOC TERROR; STANDING, NAKED, HANDS AT SIDES. ILLUMINATED BY TWO SPOTLIGHTS; ONE ABOVE (SOURCE UNSEEN), SECOND; FROM FLOATING ROBOT DRONE JUST AT THE EDGE OF THE CONE OF LIGHT. ILLUMINATION FORMS A CONE OF SIX FEET AROUND DOC TERROR, REVEALING A GLOSSY DARK FLOOR AND A TWO FOOT TALL BLACK BLOCK, TO WHICH HIS MANACLES CONNECT VIA THE LONG THIN LINE.

DOC TERROR: I TOOK IT AND A FEW OTHER OBJECTS I HAD ACQUIRED ON MY EXCURSIONS BACK TO THE CASTLE THE GERMANS HAD PROVIDED FOR ME, AND THERE I DID SOMETHING THAT MODERN SCIENCE HAD THEN DEEMED IMPOSSIBLE. I RECALLED FROM THE VOID THE CONSCIOUSNESS OF A WARRIOR WHO HAD DIED NEARLY 700 YEARS BEFORE. THE BLACK SKULL WAS MOUNTED IN A SUIT OF TEUTONIC ARMOR, FILLED WITH BLOOD, THAT HAD BEEN FASHIONED FROM STRANGE METEORIC FRAGMENTS. THREE DAYS AFTER THE RITUAL THE ENDLESS KNIGHT AROSE. THE FIRST OF MANY SUCH ABOMINATIONS I WOULD BE RESPONSIBLE FOR.

PG.2
[1].
LONG SHOT-INT. CASTLE HALLWAY, LOTS OF COBWEBS AND 14TH CENTURY TRAPPINGS (TAPESTRIES AND SUCH) IN THE BACKGROUND. FOREGROUND; THE UNSPECIFIC SILHOUETTE OF A FIGURE, LIT FROM A CANDLE HELD IN FRONT WHICH WE CAN NOT SEE, THE CANDLE CREATES 'MOODY' SHADOWS ON THE WALLS AND FLOOR.

CAP A: THE HIDDEN CASTLE OF BASARAB, 1939

[2].
MID SHOT; 3/4 DOWN, SHADOWY FIGURE DESCENDS A LOOOOOONG STONE STAIRCASE, STILL CARRYING CANDLE. MORE STRANGE SHADOWS ARE CAST UPON THE WALL.

[3].
WIDE SHOT; INT. CASTLE MASSIVE DUNGEON ROOM. THE ROOM IS 15 TO 20 FEET TALL AND EXTENDS BACK INTO DARKNESS. ON THE FAR RIGHT IS A MASSIVE SUPERCONDUCTOR IN THE MIDST OF CONSTRUCTION. WIRING TRAILS FROM THE MACHINE IN NEARLY EVERY DIRECTION BUT A LARGE GROUP OF THEM CONNECT LEFT TO A NODULE 7' TALL. UNIFORMED GERMANS SOLDIERS WORK CONSTRUCTION ON THE SUPERCONDUCTOR, A FEW HAVE WANDERED OVER TO THE TORTURE DEVICES SHOVED UP AGAINST THE WALLS OF THE DUNGEON, ON THE LEFT. THE GERMANS STUDYING THE DEVICES SMILE AND PLAY ACT (IT'S ALL A GAME TO THEM). THE SHADOWY FIGURE CAN NOW BE CLEARLY IDENTIFIED AS A GERMAN OFFICER, SMART BLACK UNIFORM, "S.S." DEATH-HEAD APPARENT ON HIS CAP, ENTERING BOTTOM LEFT OF PANEL.

COL. VON VORN: ACHTUNG!

PG.3
[1].
LONG SHOT; BACKGROUND, BLACK SHADOW. MIDGROUND; GERMAN SOLDIERS; AT ATTENTION, SOME APPEAR FRIGHTENED, ONE ON THE FAR LEFT IS STILL ATTACHED TO A LOCKABLE COLLAR AND ROD DEVICE, HE LOOKS FRIGHTENED OF THE COLONEL. FOREGROUND; COL. VON VORN STALKS DOWN THE LINE OF SOLDIERS, NOT HAPPY.

COL. VON VORN: YOU MEN WERE CHOSEN FOR YOUR PROFESSIONALISM! A CUT ABOVE THE REGULAR SOLDIER. AND I FIND YOU PLAYING ABOUT? IS THIS HOW GERMANS BEHAVE? IS THIS HOW SERIOUSLY WE TAKE ON THE ROLE OF GUIDING HUMANITY BACK FROM ITS SLINK INTO DEPRAVITY? WE ARE HERE FOR A PURPOSE!

[2].
MEDIUM SHOT; COL. VON VORT HOLDS UP THE ROD CONNECTED TO THE SOLDIER WITH THE COLLAR. THE SOLDIER GRASPS THE COLLAR, AND APPEARS TO BE CHOKING. THE SOLDIERS IN LINE LOOK STRAIGHT AHEAD, NOT ACKNOWLEDGING WHAT THE COLONEL IS DOING.

COL. VON VORN: AND THAT PURPOSE IS NOT TO BE PLAYING AROUND WITH THESE..."ANTIQUES"!

SOLDIER: ULP!
[3].
MEDIUM SHOT; COL. VON VORN HAS PINNED THE SOLDIER TO THE FLOOR. THE SOLDIER IS ON HIS KNEES, HIS FACE PRESSED PAINFULLY AGAINST THE SLIMY STONE FLOOR. A SINISTER SMILE STRETCHES ACROSS THE COLONEL'S FACE.

COL. VON VORN: IF YOU DON'T RESPECT THE WORK WE ARE DOING YOU CAN ALWAYS BE SENT BACK TO THE FRONT? IS THAT UNDERSTOOD?

SOLDIER: HURK!

[4].
LONG SHOT; FOREGROUND; CLOSE; COL. VON VORN'S HEAD LOOKING DOWN SMILING VICIOUSLY. MID GROUND; MEDIUM ON LINE OF SOLDIERS LOOKING AT COL. VON VORN IN SHOCK AND AWE. BACKGROUND; DOC TERROR'S MASK FLOATING IN A FEILD OF BLACK JUST ABOVE THE LINE OF SOLDIERS.

DOC TERROR: THE MEN WERE MERLY DOING AS I INSTRUCTED THEM COLONEL.

SOLDIER (OFF-PANEL): ACKH!
PG.4
[1].
CLOSE; COL. VON VORN TURNING QUICKLY. SURPRISE ON HIS FACE.

COL. VON VORN: YOU!

[2].
MEDIUM; FOREGROUND; COL. VON VORN PUSHES THROUGH THE LINE OF SOLDIERS TOWARD THE EXPOSED FIGURE OF DOC TERROR.

COL. VON VORN: YOU DO NOT HAVE AUTHORITY OVER THESE MEN. I AM THERE COMMANDANT AND I WILL GIVE THEM THEIR ORDERS! YOU ARE MERLY STAFF AS FAR AS THE ESCHELON IS CONCERNED. THESE MEN HAVE STANDARDS OF DISCIPLINE THAT MUST BE UPHELD...

[3].
MEDIUM; COL. VON VORN LEANING IN TO YELL AT THE UNYIELDING PRESENCE OF DOC TERROR.

COL. VON VORN: AND I WILL NOT HAVE THEM 'PLAYING' ABOUT! OUR ASSIGNMENT IS TO AID YOU IN THE CONSTRUCTION OF THIS "DEVICE" OF YOURS AND TO PROVIDE DEFENSE OF THIS FORTRESS, IF NECESSARY. I JUST RETURNED FROM CHECKING ON THE PERIMETER AND I FIND THAT ALL THE GUARDS HAVE LEFT THEIR POSTS AND THE REST DOWN HERE ACTING THE SWINEHUND! THEY ARE GERMAN SOLDIERS AND SHOULD BE TREATED AS SUCH!

[4].
CLOSE; THE FACE OF DOC TERROR.

DOC TERROR: OH, I COULDN'T AGREE MORE COLONEL. I COULDN'T AGREE MORE.

[5].
MEDIUM; EXTREME FOREGROUND; COL. VON VORT'S HEAD & SHOULDER SHOT. FOREGROUND; DOC TERROR STANDS PROUD AND MENACINGLY. MIDGROUND; THE FORM OF THE ENDLESS KNIGHT STEPS FROM THE SHADOWS (LOWER HALF OF BODY STILL IN SHADOW), EYES GLOWING RED, 8' TALL, HOLDING A BIG, NASTY LOOKING SWORD. BACKGROUND; BLACK SHAPES THAT APPEAR HUNCHED, BLEND INTO THE DARKNESS.

DOC TERROR: YOU SEE I REALLY HAVE NO FURTHER NEED OF 'YOUR' MEN. OR YOU FOR THAT MATTER. ALTHOUGH YOU CAN DO ONE LAST THING FOR ME...

COL. VON VORT: W..WHAT?

PG.5
[1].

WIDE SHOT; ENTIRE DUNGEON, 3/4 DOWN BUT CLOSE ENOUGH TO SEE DETAIL OF; MASSACRE. FROM THE SHADOWS POUR UNDEAD ZOMBIES OF ALL SHAPES, SIZES AND MUTILATED AFFECTATIONS, SOME HAVE ANIMAL HEADS GRAFTED ONTO BODIES WITH MACHINE PARTS (SOMETHING OUT OF A BOSCH PAINTING) THE ZOMBIES ARE ATTACKING AND DEVOURING THE SOLDIERS. THIS ACTION RINGS THE CENTER OF THE PAGE WHICH IS TAKEN UP BY THE ENDLESS KNIGHT CLEAVING COL. VON VORT IN HALF. THE COLONEL LOOKS SURPRISED TO SEE HIS INNARDS SPILL OUT OF HIM, MAYBE HE TRIES TO CATCH THEM AS THEY FALL. DOC TERROR STANDS AT THE EDGE OF SHADOW (TOP OF PAGE) CURLING HIS HANDS EVIL VILLAIN STYLE. LOTS OF BLOOD AND GUTS ALL OVER THE PAGE AND IT'S ALL IN RED!

CAP A: TO BE CONTINUED...

The Space Rail Keeps On Chooglin'!

2009-02-16T13:24:00.001-08:00

The Problems Just Keep Comin'!

2009-02-15T12:53:00.000-08:00

Presenting: Official Guidebook Entries

2009-02-02T14:16:00.000-08:00

The Sigma School and Urban Legend Zombie-Cop!

More Official Guidebook pages!

2009-01-25T16:22:00.000-08:00

The Power Platoon and those pesky Registration Enforcement Division agents; the R.E.D. Cells!

Again with the problems!

2009-01-21T16:23:00.000-08:00

enDLeSS PROBLeMS

2009-01-05T19:25:00.001-08:00

Another installment of the Life Neurotic with Ryan Buck!

More Official Guidebook Illustrations!

2009-01-04T11:24:00.000-08:00

Presenting the Infamous Outlaw and the World's Spookiest Team: the Phantom Squad!

Official Guidebook part the Third

2008-12-31T12:41:00.000-08:00

Here's a look at your favorite battle scarred and hardened soldier Major Danger and soon to be introduced "Monster Girl (no affiliation with that other monstergirl, oh you know who I mean)"!

Offical Guidebook part 2

2008-12-29T12:54:00.000-08:00

Here's some more stuff from "the boards." Featuring the L.S.D and a modern age Halcyon. Rumor has it though that Halcyon may undergo another wardrobe change soon. Stay tuned in to the Go Get 'Em! Multiverse.

Official Guidebook Preview part 1

2008-12-22T13:45:00.000-08:00

For all you rabid fans of the Go Get 'Em! Multiverse our Art Department has finally whipped up some visual representations for our much anticipated Guidebook. Enjoy this small preview. More is on the way!

AMERICAN JUSTICE 445 JULY 2010

2008-12-18T14:39:00.000-08:00

THE INTERVIEW PT. 2

PG 1 (ENTIRE PAGE IN GOLDEN AGE ART STYLE)

[1].
LONG; TWO THUGS DUMP GREEN CHEMICALS OUT OF A BARREL, OFF A PIER, INTO A BAY. BEHIND THEM HOVERS THE SHADOWY FIGURE OF DOC TERROR.

CAP A: IN 1938 I ATTEMPTED TO POISON PERSONVILLE'S WATER SUPPLY.

[2].
LONG: TOM JEFFERSON SHOOTING OUT THE WHEELS OF A TRUCK SPEEDING AWAY FROM HIM.

CAP A: TOM JEFFERSON, THE DARING "DETECTIVE", INTERFERED.

[3].
LONG: TRUCK; CRASHED, ON FIRE. DOC TERROR MASK AND CLOAK JUST OUTSIDE OF FLAME BUT CLEARLY SCORCHED, LAYING IN FOREGROUND.

CAP A: THAT WAS THE FIRST TIME I DIED.

[4].
LONG: SILHOUETTE OF DOC TERROR RUNNING AWAY DOWN A DARKENED ALLEY.

CAP A: BUT I FOUND DEATH A RATHER EASY THING TO ESCAPE FROM.

PG 2

[1].
MEDIUM ON RANDOLPH OLIVER RYAN; HEALTHY 70'S, LONG GRAY HAIR AND BEARD OBSCURE FACE. MOUTH IS CLEARLY OPEN IN SPEECH. BARE CHESTED WITH SCARS AND BULLET WOUNDS. A SINGLE STREAM OF LIGHT ILLUMINATES HIM FROM ABOVE. BACKGROUND: BLACK

R: IT WAS SHORTLY AFTER THAT I FOLLOWED THROUGH ON AN IDEA I HAPPENED UPON IN THE WORKS OF DOCTOR FREUD. BUT ONCE AGAIN TOM JEFFERSON PROVED TO BE A CAPABLE ADVERSARY.

[2].
MEDIUM; R; SITING, LOOKING AT VEIWER, MOUTH OBSCURED BY BEARD.

[3].
SAME AS PREVIOUS.

R: TOM JEFFERSON.

[4].
(GOLDEN AGE STYLE) WIDE ON A T-SHIRTED TOM JEFFERSON; STANDING! AND BREAKING ROPES ACROSS HIS CHEST, A WOODEN CHAIR SPLINTERING BEHIND HIM. BACKGROUND: ACTION EXPLOSION LINES!

CAP A: IT'S LITTLE WONDER THAT MAN BECAME PRESIDENT DURING THE SEVENTIES. HE WAS AN OBSTINATE MAN. A TRUE ADVENTURER. I PUT ALL MY HOPES INTO NIXON. I COULD'VE ACCOMPLISHED MUCH IF HE'D BEEN IN OFFICE. BUT ONCE AGAIN TOM JEFFERSON THWARTED MY DESIGNS. I WAS HAPPY WHEN HE WAS ASSASSINATED. BUT AS TIME WORE ON...

PG 3

[1].
MEDIUM ON R; LOOKING TO RIGHT OF PANEL.

[2].
MEDIUM ON RANDOLPH; LOOKING TOWARD VEIWER.

R: BUT I SUPPOSE BEING SHOT IN THE BACK IS SOMEWHAT SYMBOLIC. IF HE'D SEEN IT COMING HE MIGHT'VE BEEN ABLE TO STOP IT.

[3].
MEDIUM ON R. LOOKING SLIGHTLY DOWN.

R: WHAT A GIFT HE HAD. THOUGH HE COULD BE A REAL JACKASS SOMETIMES.

[4].
MEDIUM ON R. LOOKING UP INTO THE LIGHT.

R: IS HIS KID STILL IN POLITICS?

PG 4.

[1].
MEDIUM ON R. LOOKING UP INTO THE LIGHT.

[2].
SAME AS PREVIOUS.

[3].
SAME.

[4].
MEDIUM ON R. LOOKING TOWARD VIEWER. THE GHOST OF SMILE FROM HIS BEARD.

R: I SEE.

PG 5.

[1].
MEDIUM ON INTERIOR MONITORING CHAMBER. INTERVIEWER 1 IN EXTREME FOREGROUND FILLING UP A MUG WITH COFFEE. INTERVIEWER 2 IN BACKGROUND ADJUSTING DIODES ON MONITORS SURROUNDING HIM.

INTERVIEWER 2: NOW THAT STUFF JUST CREEPS ME OUT.

[2].
SAME AS PREVIOUS; 1 PUTS DOWN POT OF COFFEE. 2 ADJUSTS DIFFERENT DIODES.

1: WHAT'S THAT?

2: HOW CALM HE IS ABOUT BEING TOTALLY CRAZY.

[3].
MEDIUM; 1 WALKS TO HIS EMPTY SEAT NEXT TO 2. 2 LOOKS UP TOWARDS HIM.

1: DIDN'T I TELL YOU.

2: STILL I THOUGHT IT WOULD SHOW MORE. HE SEEMS ALMOST...NORMAL.

[4].
MEDIUM; 1 SITS. 2 LOOKS OVER AT 1.

1: DON'T LET THAT FOOL YOU. HE'S A MASTERMIND. AND A PSYCHOLOGIST.

[5].
MEDIUM; 1 KONKING HIS HELMET. 2 LOOKS ON.

1: WITHOUT THESE THEY WOULDN'T EVEN LET US LISTEN TO HIM.

2: I HEARD THAT BEFORE THEY PUT HIM IN D.L.D.* HIS MOUTH WAS TAPED SHUT AND HE WAS FED BY I.V FOR FIVE YEARS.

CAP A: *DEEP LOCK DOWN-YER EDITORS.

[6].
MEDIUM; 1 DRINKING FROM HIS MUG. 2 ADJUSTING HIS HELMET.

1: THEY SAY HE USED TO BE ABLE TO DO THIS HYPNOTIC THING WITH HIS VOICE. SUPPOSEDLY NOT ANY MORE, BUT THEY AREN'T TAKING ANY CHANCES.

2: GLAD TO HEAR THAT.

[7].
MEDIUM; 1 CHECKING HIS MONITORS. 2 DOING THE SAME.

[8].
MEDIUM; 1 LOOKING TOWARD 2. 2 ADJUSTING DIODES.

2: SO DID YOU CATCH LAST NIGHT'S DEXTER?

[9].
MEDIUM; 1 TURNING DIODES. 2 DOING THE SAME.

1: NO. I WAS READING.

PG 6

[1].
LONG ON R, ILLUMINATED FROM ABOVE.

CAP A: REALLY? YOU DON'T LIKE TELEVISION?

CAP B: T.V'S FINE. I JUST PREFER TO READ.

[2].
CLOSER ON R, STILL FULL FIGURE, DETAILS OF BODY SCARS CAN BE SEEN.

CAP A: WHAT WERE YOU READING?

CAP B: A BOOK.

[3].
MEDIUM ON R. SCRATCHING HIS CHEST WOUND.

CAP A: WHAT BOOK, SMART-ASS?

CAP B: THE INVISIBLE MAN, BY H.G. WELLS.

{4}.
MEDIUM ON R. FACING VIEWER. JUST SITTING.

CAP A: I SEE.

CAP B: WHAT'S THAT SUPPOSED TO MEAN.
[5].
SAME AS PREVIOUS.

CAP A: NOTHING. NOTHING. I GUESS YOU DON'T LIKE SCARY THINGS.

CAP B: HAVE YOU EVER READ THE INVISIBLE MAN?

[6].
SAME.

CAP A: HAVE YOU EVER SEEN DEXTER?

[7].
SAME.

[8].
MEDIUM ON R, LEANING IN TOWARD VEIWER.

R: I CAN TELL YOU A SCARY STORY, IF YOU REALLY WANT TO HEAR IT?

CAP A: TO BE CONTINUED...

2008-12-09T17:34:00.000-08:00

Our Newest Addition!

Write us and speak your mind.

Yer Editors!

Welcome to the Go Get 'Em! Multiverse

2008-12-08T19:47:00.000-08:00

Dear Readers,

The time has finally arrived for us here at Go Get 'Em! to go digital! Welcome to a BOLDNEWERA! All your favorite titles now have an electronic listening post! American Justice! Bizarre Thrillers! Doc Terror's Diagnosis: Fear! So drop us a line here at the Hardest Working Comics on the Planet!

Yer Editors